| Music
of Assam:
TEJORE KOMOLAPOTI
Composed by Sri Sri Madhav Deva
Available in Audio Cassette
“Tejore Komolapoti porobhate nindo
teri sando mukho pekho uthore gobindo
Rojonee biduro dixo dhowoli borono
Timir feria baaj robir kiron
Xotopotro bikoxit bhromor urai
Brojo bodhu dodhi mothe tuwa guno gaa
Daam xudame dake teri loiaa naam
Hero dekho uthia aaxil boluram
Nondo gel baathane, guwal gel paal
Xurobhi saarite laage uthore Gopal
Khir lobonu loiu xinga bet benu
Xokale meliyo botxo hambalwe dhenu
Trijogot poti hori rakhuwal paila
“O’ Krishna relinquish your morning’s sleep
Let us see your moon-like face, wake up Krishna.
The night has gone into the distance and on every
side is the while tight
The gloom has been rivaled by the sunlight, which
now reigns
A thousand petals have unfurled and the bumble
bees gear up.
The daughter-in-low of Braj is churning the curd
and singing your praise.
Daam & Xudam are calling your name
Look, look, Boloram is up and about
Nanda has left for the cattle camp and the cowherd
are gone to feed the cows.
Surabhi (the divine cow) needs to be taken for
grazing, get up O Gopal
Take fresh milk, cream, as well as horn, stick
and flute.
The cows are whining, open up the enclosures and
let the calves out.
Says Krishna’s mother oh, what meditation to have
Begotten the Lord of Heaven and Earth as a cowherd.”
Among percussion
instruments, the important ones are the dhol, nagara, daba, khol,
mridanga, jaidhol etc. The dhol, the common drum, is used in Bihu
dance. Taka, a simple instrument of a piece of bamboo-tube split
from one side, is beaten to keep time measurement in Bihu
song and dance. Others are generally used in religious functions,
the khol being the principal tala instrument for Vaishnava music.
Jaidhol is also used in wedding ceremonies. Khanjari, small and
light and a combination of drum and cymbals, also belongs
to this class.
Wind instruments
(Susir) used for Assamese folk music are the flute, the Ciphung
bahi of the Bodos, the kali, the pepa, the singa and the gagana.
The Ciphung is a long bamboo flute played at Bodo festivals. Kali,
like its more developed version the sehnai, is played in wedding
ceremonies. The singa, from sing (horn) is made of a buffalo horn
with a little bamboo pipe thrust into it, some hill-folk use an
ox-horn also. Pepa, inseparable from the Bihu festival, is in fact
only a reed-pipe which is usually connected to a buffalo-horn. Gagana
is a small, split-bamboo instrument, very finely cut and delicate.
It is played by young women by holding it between the teeth, striking
with the right forefinger, allowing the wind to pass as and when
necessary.
The stringed instruments (tala) used
by villagers are the tokari, the been and the serja or serenda. The
Tokari, played like an ektara or a sitar, is widely used by folk singers
and also by wandering minstrels who sing mystic songs like Deh Bicarar
Geets. The sarod-like serenda is a Bodo instrument played with a bow.
Been is also played with a bow, it is an evening companion of village
youths who may roam about playing lilting folk-tunes. Of the Ghana
classes the most important is the tal (cymbals) which has many a ramification
like bhortal, khutital, karatal, mandira etc. Bhortal, the largest
pair of cymbals, used by the Vaishnavas, is reputed to have been imported
from the Bhotas or Bhutias. The tiniest, the Khutital, is played by
Oja-Pali performers Kah, a flat bell, and ghanta, sounded during the
progress of a worship, fall under the ghana class.
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