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Assam at a click
 
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Custom and Tradition
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Marriage Ceremony Mainstream
      Assamese Family

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Assamese Arts and Crafts
    Fairs and Festivals
    Assam Economy
   
Maps of Assam
    Music of Assam
    Wild life of Assam
    River of Brahmaputra
    Majuli


 
Tradition
     
  Positive vibes
      
 
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  Views Room

 
Gateway of Assam
      
  Rediscovering the Core

  

Music of Assam:

TEJORE KOMOLAPOTI

Composed by Sri Sri Madhav Deva

Available in Audio Cassette

 
Tejore Komolapoti porobhate nindo

teri sando mukho pekho uthore gobindo

 Rojonee biduro dixo dhowoli borono

Timir feria baaj  robir kiron

 Xotopotro bikoxit bhromor urai

Brojo bodhu dodhi mothe tuwa guno gaa

 Daam xudame dake teri loiaa naam

Hero dekho uthia aaxil boluram

 Nondo gel baathane, guwal gel paal

Xurobhi saarite laage uthore Gopal

 Khir lobonu loiu xinga bet benu

Xokale meliyo botxo hambalwe dhenu

 Trijogot  poti hori rakhuwal paila

 

O’ Krishna relinquish your morning’s sleep

Let us see your moon-like face, wake up Krishna.

The night has gone into the distance and on every side is the while tight

The gloom has been rivaled by the sunlight, which now reigns

A thousand petals have unfurled and the bumble bees gear up.

The daughter-in-low of Braj is churning the curd and singing your praise.

Daam & Xudam are calling your name

Look, look, Boloram is up and about

Nanda has left for the cattle camp and the cowherd are gone to feed the cows.

Surabhi (the divine cow) needs to be taken for grazing, get up O Gopal

Take fresh milk, cream, as well as horn, stick and flute.

The cows are whining, open up the enclosures and let the calves out.

Says Krishna’s mother oh, what meditation to have

Begotten the Lord of Heaven and Earth as a cowherd.”

 

Among percussion instruments, the important ones are the dhol, nagara, daba, khol, mridanga, jaidhol etc. The dhol, the common drum, is used in Bihu dance. Taka, a simple instrument of a piece of bamboo-tube split from one side, is beaten to keep time  measurement in Bihu song and dance. Others are generally used in religious functions, the khol being the principal tala instrument for Vaishnava music. Jaidhol is also used in wedding ceremonies. Khanjari, small and light and  a combination of drum and cymbals, also belongs to this class. 

 Wind instruments (Susir) used for Assamese folk music are the flute, the Ciphung bahi of the Bodos, the kali, the pepa, the singa and the gagana. The Ciphung is a long bamboo flute played at Bodo festivals. Kali, like its more developed version the sehnai, is played in wedding ceremonies. The singa, from sing (horn) is made of a buffalo horn with a little bamboo pipe thrust into it, some hill-folk use an ox-horn also. Pepa, inseparable from the Bihu festival, is in fact only a reed-pipe which is usually connected to a buffalo-horn. Gagana is a small, split-bamboo instrument, very finely cut and delicate. It is played by young women by holding it between the teeth, striking with the right forefinger, allowing the wind to pass as and when necessary. 

The stringed instruments (tala) used by villagers are the tokari, the been and the serja or serenda. The Tokari, played like an ektara or a sitar, is widely used by folk singers and also by wandering minstrels who sing mystic songs like Deh Bicarar Geets. The sarod-like serenda is a Bodo instrument played with a bow. Been is also played with a bow, it is an evening companion of village youths who may roam about playing lilting folk-tunes. Of the Ghana classes the most important is the tal (cymbals) which has many a ramification like bhortal, khutital, karatal, mandira etc. Bhortal, the largest pair of cymbals, used by the Vaishnavas, is reputed to have been imported from the Bhotas or Bhutias. The tiniest, the Khutital, is played by Oja-Pali performers Kah, a flat bell, and ghanta, sounded during the progress of a worship, fall under the ghana class.
 


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